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portraits
Fresh off the press: the story I photographed for legendary French magazine Les Inrockuptibles just came out — it's an 8-page editorial, and we also landed the cover of the magazine.
Bonus: Stoya's interview is even more incendiary than usual, so get your copy for the pictures and the words. (If you read French, that is.)
Makeup & hair: Jessica Padilla.
Retouching: Eye Candy.
I’m enormously proud of the work Catapult and I did together, and hope this campaign will help draw attention to important issues women are facing today, such as forced marriage, child slavery, and forced prostitution. The campaign has been enormously successful so far, with pieces in The Guardian, Mashable, and BuzzFeed already out there. Help Catapult get the word out there, and find a women-led project to support!
Even in 2014, the rights of women and girls are severely threatened by sex trafficking, slavery, child marriage and other violations around the world. International Women’s Day, observed annually on March 8, continues to spread awareness and garner support — and change — for women across the globe.
Catapult, a crowdfunding site dedicated specifically to the advancement of women and girls, has released a startling new visual campaign in an attempt to make this year’s IWD “more than just a cover story.” The Cover Stories campaign features three mock magazine covers that highlight terrifyingly real human rights issues to push the conversation forward.
Headlines such as "The Wedding You’ll Never Forget But Wish You Could" and "Who Needs a Childhood Anyway?" float next to the young models. The cover of Good Slavekeeping pretends to cater to the human rights violators themselves, adding another dark layer to the already serious campaign.
Michael Gira of Swans, photographed for Sasha Frere-Jones's music column in The New Yorker.
I rarely shoot musicians. But when I got an offer to make a portrait of Michael Gira, I did what you should do next time Swans play your town: just go.
Swans' To Be Kind is out now, and is another in a long line of masterpieces. Revisit Sasha Frere-Jones's column for which this portrait of Gira was commissioned.
